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home·artworks·Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand
Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand by Eugene von Guerard

plate no. 0140

Lake Wakatipu with Mount Earnslaw, Middle Island, New Zealand

Eugene von Guerard, 1879

oilRomanticismlandscapemountainslaketreesboatskyreflection
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create realistic landscapes. Students will also learn to paint convincing reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and shoreline, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with a light blue, blending it smoothly.

  4. step 04

    Paint the distant mountains with muted blues and grays to create atmospheric perspective.

  5. step 05

    Add the mid-ground mountains and hills, using warmer browns and greens.

  6. step 06

    Paint the lake with varying shades of blue and green, reflecting the colors of the sky and mountains.

  7. step 07

    Add details to the shoreline, including trees, rocks, and vegetation.

  8. step 08

    Paint the boat and figures, and add final highlights and shadows to the mountains and water.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · raw sienna

Mix blues and whites for the sky and water, adding small amounts of green or brown to create subtle variations. Use burnt umber and white for the mountains, adding touches of yellow ochre for warmth.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·blending
  • ·glazing
  • ·reflection

common pitfalls

  • →Failing to create a sense of depth with atmospheric perspective.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Overworking the details, resulting in a stiff and lifeless painting.
  • →Inaccurate reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →how to learn by studying the masters →
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