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home·artworks·Lake Lucerne-Afternoon
Lake Lucerne-Afternoon by Lovis Corinth

plate no. 9013

Lake Lucerne-Afternoon

Lovis Corinth, 1924

oilImpressionismlandscapelakemountainsskycloudswaterlandscape
some experience helpful

Recreating this painting will help students practice layering colors and creating depth using atmospheric perspective. It also provides an opportunity to experiment with expressive brushstrokes to capture the movement of water and clouds.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and sky, paying attention to the horizon line.

  2. step 02

    Apply a thin wash of light blue to the sky and a darker blue to the lake as an underpainting.

  3. step 03

    Begin layering darker blues and purples to define the mountains and create shadows.

  4. step 04

    Add lighter blues and whites to the sky to create the clouds, blending the edges softly.

  5. step 05

    Use short, choppy brushstrokes to represent the water, varying the shades of blue and adding reflections.

  6. step 06

    Introduce small touches of yellow and green to suggest vegetation and highlights.

  7. step 07

    Refine the details and add final touches of light and shadow to enhance the depth and atmosphere.

  8. step 08

    Allow to dry and add a varnish for protection.

color palette

primary · ultramarine blue · cerulean blue · titanium white

secondary · yellow ochre · purple · viridian green

Mix different shades of blue by adding white for lighter tones and purple or black for darker tones. Use yellow ochre sparingly to create subtle highlights and warmth.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Failing to create enough contrast between the sky and the mountains.
  • →Making the brushstrokes too uniform and lacking in variation.
  • →Ignoring the reflections in the water and making them too literal.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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