apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lake Como, Italy
Lake Como, Italy by William Leighton Leitch

plate no. 2279

Lake Como, Italy

William Leighton Leitch

oilRomanticismcityscapelakemountainsbuildingsfiguresboatsmarket
some experience helpful

This painting provides a good opportunity to practice atmospheric perspective and rendering complex scenes with many small details. Students can also learn how to create a sense of depth and distance through color and value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, buildings, water, and the foreground structure.

  2. step 02

    Block in the sky with light blues and grays, blending softly.

  3. step 03

    Establish the mountain range using darker grays and blues, fading towards the horizon.

  4. step 04

    Paint the water with horizontal strokes, reflecting the sky and buildings.

  5. step 05

    Add the architectural structures, focusing on basic shapes and perspective.

  6. step 06

    Block in the figures and boats with simplified forms and colors.

  7. step 07

    Refine the details in the foreground, including the market scene and textures.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · raw sienna

Mix various shades of gray by combining ultramarine blue, burnt umber, and titanium white. Use yellow ochre and raw sienna to create warm tones for the buildings and foreground. Add small amounts of cadmium red for the red accents.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Getting lost in the details too early.
  • →Not establishing a clear value structure.
  • →Overworking the colors and losing the freshness.
  • →Ignoring the atmospheric perspective and failing to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Acrylics are easier for beginners, while oils offer more blending possibilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke