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home·artworks·Laguna Shores
Laguna Shores by Guy Rose

plate no. 7371

Laguna Shores

Guy Rose, 1916

oilImpressionismlandscapeoceanbeachtreesvegetationskycoastline
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle variations of light and shadow in a landscape. It also provides practice in depicting natural forms with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the curve of the coastline, and the placement of the main elements like the trees and bushes.

  2. step 02

    Block in the large areas of color, starting with the sky and the ocean, using thin washes of paint.

  3. step 03

    Add the base colors for the beach, the vegetation on the hillside, and the distant landmass.

  4. step 04

    Begin layering colors to create depth and texture in the vegetation, using short, broken brushstrokes.

  5. step 05

    Define the waves and the surf with white and light blue paint, paying attention to the direction of the light.

  6. step 06

    Add details to the trees, using a thin brush to create the branches and twigs.

  7. step 07

    Refine the colors and values throughout the painting, adjusting the highlights and shadows as needed.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · sap green · violet

Mix greens by combining yellow ochre and ultramarine blue. Achieve the various blues of the ocean by adjusting the ratio of ultramarine blue to white, and adding small amounts of violet or green for variation. Use burnt sienna and white to create the warm tones of the sand and the tree trunks.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·wet-on-dry
  • ·color mixing

common pitfalls

  • →overblending colors, resulting in a muddy appearance
  • →losing the overall sense of light and atmosphere
  • →making the brushstrokes too uniform and predictable
  • →not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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