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home·artworks·Laguna di Venezia
Laguna di Venezia by Anton Melbye

plate no. 6926

Laguna di Venezia

Anton Melbye, 1878

oilRomanticismmarinawaterboatsskybuildingsislandclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in painting realistic skies and cloud formations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the island, boats, and horizon line.

  2. step 02

    Block in the sky with light blue and white, blending the colors smoothly.

  3. step 03

    Establish the base color of the water, using a mix of blues, greens, and grays.

  4. step 04

    Paint the island and buildings, focusing on the shapes and colors of the structures.

  5. step 05

    Add the boats, starting with the larger sailboat and then the smaller vessels in the distance.

  6. step 06

    Create reflections in the water, using slightly darker and blurred versions of the objects above.

  7. step 07

    Refine the details of the clouds, boats, and buildings, adding highlights and shadows.

  8. step 08

    Add final touches, such as the figures in the boats and the details of the rigging.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · cadmium red · sap green · payne's gray

Achieve the sky colors by mixing ultramarine blue and titanium white, adding a touch of yellow ochre for warmth. The water colors are achieved by mixing blues, greens, and grays, adjusting the proportions to create variations in tone.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Making the reflections too sharp or defined.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A pre-primed canvas will save time and effort.

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oil painting for beginners →how to learn by studying the masters →
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