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home·artworks·Lafitte Blachsmith's Shop, Old New Orlean
Lafitte Blachsmith's Shop, Old New Orlean by Colette Pope Heldner

plate no. 9100

Lafitte Blachsmith's Shop, Old New Orlean

Colette Pope Heldner

oilImpressionismcityscapebuildingsfiguresstreetskyarchitecturecityscape
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and capturing the essence of a scene with loose, expressive brushstrokes. It also provides practice in depicting figures in a cityscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Block in the large areas of color for the sky, buildings, and ground, focusing on the overall value structure.

  3. step 03

    Add the darker values to define the shadows and architectural details.

  4. step 04

    Introduce the mid-tones and highlights to create depth and form.

  5. step 05

    Paint the figures with simple shapes and colors, suggesting movement and interaction.

  6. step 06

    Add details like the shutters, windows, and architectural ornamentation.

  7. step 07

    Refine the colors and values, paying attention to the atmospheric perspective.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium red · titanium white · raw umber

Mix blues and browns with white to create the muted tones of the buildings and sky. Use red and yellow ochre for the warmer hues in the figures and architectural details. Create grays by mixing complementary colors.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating colors that are too saturated and not reflecting the muted palette.
  • →Ignoring the perspective and creating a flat, unrealistic composition.
  • →Failing to capture the light and shadow patterns that define the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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