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home·artworks·Lady with Morning Glory
Lady with Morning Glory by Fujishima Takeji

plate no. 2300

Lady with Morning Glory

Fujishima Takeji

oilImpressionismportraitportraitfigureflowersmorning gloryfoliagewoman
some experience helpful

Recreating this painting will help students develop skills in portrait painting, color mixing for skin tones, and creating soft, impressionistic backgrounds. It also provides practice in capturing subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the face, shoulders, and flower arrangement.

  2. step 02

    Establish the background colors with broad, loose strokes.

  3. step 03

    Block in the main skin tones, paying attention to the subtle shifts in color.

  4. step 04

    Refine the facial features, focusing on accurate proportions and values.

  5. step 05

    Add details to the flowers and foliage, using a variety of brushstrokes.

  6. step 06

    Develop the drapery folds and shadows on the figure's clothing.

  7. step 07

    Adjust the overall color harmony and add final highlights.

  8. step 08

    Glaze with thin layers to unify the painting and soften edges.

color palette

primary · titanium white · raw umber · alizarin crimson · ultramarine blue

secondary · yellow ochre · violet · sap green

Skin tones are achieved by mixing white, raw umber, and alizarin crimson, with small amounts of yellow ochre and ultramarine blue for shadows. The violet flowers are created by mixing alizarin crimson and ultramarine blue with white for lighter tones.

techniques

  • ·portrait painting
  • ·color mixing
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the skin tones and losing the soft, luminous quality.
  • →Creating harsh lines and edges instead of blended transitions.
  • →Failing to capture the subtle color variations in the background.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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