apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lady with a Bouquet
Lady with a Bouquet by Charles Courtney Curran

plate no. 4014

Lady with a Bouquet

Charles Courtney Curran, 1890

oilImpressionismportraitfigureportraitflowersbouquethatdress
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric folds, as well as capturing the delicate details of floral arrangements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, bouquet, and hat.

  2. step 02

    Establish the background with a thin wash of warm brown tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and pose.

  4. step 04

    Begin layering the skin tones, using subtle variations of light and shadow.

  5. step 05

    Paint the fabric of the dress and hat, capturing the folds and textures.

  6. step 06

    Add the flowers, focusing on their delicate shapes and colors.

  7. step 07

    Refine the details of the face, hands, and flowers.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · burnt umber · sap green

secondary · ultramarine blue · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white with small amounts of alizarin crimson and ultramarine blue. Create the green tones by mixing sap green with yellow ochre and titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann