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home·artworks·Lady Phyllis Hervey
Lady Phyllis Hervey by Richard Jack

plate no. 8970

Lady Phyllis Hervey

Richard Jack

oilImpressionismportraitportraitfiguredressshawlrosespearls
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice blending and layering techniques to create soft transitions and subtle details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the background with broad strokes of muted grays and browns.

  3. step 03

    Establish the main values of the face and dress, using thin washes of color.

  4. step 04

    Develop the skin tones with careful layering and blending, paying attention to highlights and shadows.

  5. step 05

    Add details to the dress and shawl, including folds, textures, and patterns.

  6. step 06

    Paint the roses, focusing on their form and color variations.

  7. step 07

    Refine the facial features, adding details to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ivory black · raw umber · burnt sienna

secondary · ultramarine blue · alizarin crimson · yellow ochre

Mix skin tones by blending white, sienna, umber, and a touch of crimson. Achieve the blue of the shawl by mixing ultramarine with white and a touch of black. Use alizarin crimson and white for the roses.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the face wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Overworking the details, making the painting look stiff.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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