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home·artworks·Lady in White
Lady in White by Jan Toorop

plate no. 1515

Lady in White

Jan Toorop, 1886

oilImpressionismgenre paintingfigureinteriortablechairwine glassdress
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color, and in simplifying complex forms into expressive brushstrokes. It's a good exercise in capturing a mood and atmosphere rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figure and the table.

  2. step 02

    Establish the darkest and lightest areas to define the overall value structure.

  3. step 03

    Block in the main color areas using thin washes, paying attention to the subtle color variations in the white dress and tablecloth.

  4. step 04

    Begin building up layers of paint, using short, broken brushstrokes to create texture and visual interest.

  5. step 05

    Focus on capturing the light and shadow on the figure and the surrounding objects.

  6. step 06

    Add details to the face and hands, but avoid overworking them.

  7. step 07

    Refine the edges and shapes, paying attention to the overall balance and harmony of the painting.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and dimension.

color palette

primary · titanium white · ivory black · raw umber

secondary · alizarin crimson · cerulean blue · yellow ochre

Mix various shades of white by adding small amounts of black, umber, or blue. Create the wine color by mixing alizarin crimson with a touch of black and umber.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima
  • ·value studies

common pitfalls

  • →overworking the details
  • →flattening the forms
  • →using too much pure white
  • →ignoring the subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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