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home·artworks·Lady in the mirror with a fan
Lady in the mirror with a fan by Pericles Pantazis

plate no. 7492

Lady in the mirror with a fan

Pericles Pantazis, 1882

oilImpressionismgenre paintingfiguredressmirrorreflectionfaninterior
some experience helpful

This painting offers a good exercise in capturing the subtle variations of light and shadow on a white dress, as well as practicing reflections and creating depth with a limited palette. Students can also learn to suggest details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, mirror, and major shapes.

  2. step 02

    Establish the background with dark, muted tones, paying attention to variations in value.

  3. step 03

    Block in the main shapes of the dress with a mix of white, blue, and gray, focusing on the overall form.

  4. step 04

    Start building up the highlights and shadows on the dress, using thicker paint and visible brushstrokes.

  5. step 05

    Paint the mirror frame with gold and brown tones, suggesting the reflective surface.

  6. step 06

    Add the figure's face and hair, using subtle color variations to capture the likeness.

  7. step 07

    Paint the reflection in the mirror, simplifying the details and using slightly muted colors.

  8. step 08

    Add final details such as the fan, flowers, and any other small elements.

color palette

primary · titanium white · ivory black · ultramarine blue

secondary · burnt umber · cadmium red light · yellow ochre

Mix white with small amounts of blue and umber to create the various shades of white in the dress. Use red and yellow ochre to create the skin tones, and mix blue and black for the dark background.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·limited palette
  • ·suggested detail

common pitfalls

  • →Overworking the details, especially in the dress.
  • →Making the white too bright and flat, without enough variation in value.
  • →Losing the overall form of the figure in the details.
  • →Not capturing the subtle reflections in the mirror.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to allow for easier blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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