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home·artworks·Lady in the loge
Lady in the loge by Lesser Ury

plate no. 5895

Lady in the loge

Lesser Ury, 1920

oilImpressionismportraitfigureportraithatflowersinterior
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and color mixing to suggest form rather than define it precisely. It's also a good exercise in capturing a mood with limited detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figure and the main elements.

  2. step 02

    Block in the background with a thin wash of neutral tones, paying attention to the overall value.

  3. step 03

    Establish the main color blocks for the figure's clothing and hat, using broad strokes.

  4. step 04

    Begin to add details to the face, focusing on capturing the light and shadow.

  5. step 05

    Develop the floral arrangement with short, broken strokes of color.

  6. step 06

    Refine the details of the figure's hands and the red object in the foreground.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive image.

  8. step 08

    Add final touches and highlights to enhance the painting's impressionistic feel.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · cadmium red · yellow ochre · sap green

Mix various shades of gray and brown by combining the primary colors. Use white to lighten colors and create highlights. Achieve the greens by mixing blue and yellow.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle shifts in value and color.
  • →Ignoring the importance of negative space in the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

A medium-textured canvas will work well for this painting. Use a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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