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home·artworks·Lady in Blue
Lady in Blue by Matej Sternen

plate no. 3787

Lady in Blue

Matej Sternen

oilImpressionismportraitfigureportraitdressreflectionwindowinterior
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with expressive brushstrokes and understanding color temperature to create depth and form. It also offers practice in depicting reflections and creating a sense of atmosphere.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the reflection, paying attention to the overall composition.

  2. step 02

    Establish the darkest and lightest areas of the painting with thin washes of color.

  3. step 03

    Begin blocking in the main color masses, focusing on the overall color temperature and value relationships.

  4. step 04

    Develop the figure's form by layering brushstrokes of varying colors and values, using short, broken strokes to create texture and movement.

  5. step 05

    Paint the dress with loose, flowing brushstrokes, capturing the way the light interacts with the fabric.

  6. step 06

    Add details to the face and hands, paying attention to the subtle shifts in color and value.

  7. step 07

    Refine the reflection, using softer edges and muted colors to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · alizarin crimson

Mix various shades of blue by combining ultramarine blue and white. Use burnt umber to create dark shadows and to tone down the blues. Mix alizarin crimson and yellow ochre to create warm flesh tones.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·impasto
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Using colors straight from the tube without mixing them, leading to a harsh and unnatural look.
  • →Ignoring the subtle shifts in color temperature, resulting in a lack of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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