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home·artworks·Lady Hamilton as Circe
Lady Hamilton as Circe by George Romney

plate no. 3992

Lady Hamilton as Circe

George Romney, 1782

oilRomanticismportraitportraitfigurewomanhairdressfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding soft blending techniques to create a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hair.

  2. step 02

    Establish the background with broad strokes of dark browns and greens, creating a sense of depth.

  3. step 03

    Block in the main areas of the face with light flesh tones, paying attention to the placement of the eyes, nose, and mouth.

  4. step 04

    Begin to refine the facial features, adding subtle shadows and highlights to create form.

  5. step 05

    Develop the hair with loose, flowing strokes, using a mix of browns and blacks.

  6. step 06

    Paint the dress with soft whites and grays, suggesting the folds and drapery.

  7. step 07

    Add final details, such as the highlights in the eyes and the subtle blush on the cheeks.

  8. step 08

    Blend edges and refine values to create a harmonious and atmospheric effect.

color palette

primary · titanium white · burnt umber · raw sienna · cadmium red light

secondary · ivory black · sap green · yellow ochre

Mix various shades of brown by combining burnt umber, raw sienna, and ivory black. Achieve skin tones by blending titanium white, cadmium red light, and yellow ochre, adjusting the proportions to create highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Over-blending, resulting in a flat and lifeless appearance.
  • →Incorrect proportions of facial features.
  • →Harsh lines and edges.
  • →Neglecting subtle value changes.
  • →Getting the skin tones too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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