
plate no. 1659
Edward Burne-Jones, 1881
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also offers practice in rendering delicate fabric textures and folds.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and the overall pose.
Block in the background with a thin, neutral color.
Establish the basic skin tones using a mix of white, ochre, and a touch of red. Focus on the light and shadow areas.
Begin to refine the facial features, paying close attention to the eyes, nose, and mouth. Use subtle color variations to create depth.
Paint the hair, using a range of red and brown tones to capture the highlights and shadows.
Work on the dress, using white and gray tones to create the folds and ruffles. Pay attention to the way the light interacts with the fabric.
Refine the details and add any final touches. Step back and assess the overall composition and make any necessary adjustments.
Add the dark wood bar at the bottom.
color palette
primary · titanium white · yellow ochre · burnt sienna · raw umber
secondary · ultramarine blue · alizarin crimson
Skin tones are achieved through subtle mixes of white, ochre, and small amounts of red and blue. The dress is primarily white with subtle gray shadows. The hair is a mix of burnt sienna and raw umber with touches of red.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending.
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