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home·artworks·Lady Frances Balfour
Lady Frances Balfour by Edward Burne-Jones

plate no. 1659

Lady Frances Balfour

Edward Burne-Jones, 1881

oil, canvasRomanticismportraitportraitfiguredressfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also offers practice in rendering delicate fabric textures and folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and the overall pose.

  2. step 02

    Block in the background with a thin, neutral color.

  3. step 03

    Establish the basic skin tones using a mix of white, ochre, and a touch of red. Focus on the light and shadow areas.

  4. step 04

    Begin to refine the facial features, paying close attention to the eyes, nose, and mouth. Use subtle color variations to create depth.

  5. step 05

    Paint the hair, using a range of red and brown tones to capture the highlights and shadows.

  6. step 06

    Work on the dress, using white and gray tones to create the folds and ruffles. Pay attention to the way the light interacts with the fabric.

  7. step 07

    Refine the details and add any final touches. Step back and assess the overall composition and make any necessary adjustments.

  8. step 08

    Add the dark wood bar at the bottom.

color palette

primary · titanium white · yellow ochre · burnt sienna · raw umber

secondary · ultramarine blue · alizarin crimson

Skin tones are achieved through subtle mixes of white, ochre, and small amounts of red and blue. The dress is primarily white with subtle gray shadows. The hair is a mix of burnt sienna and raw umber with touches of red.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or muddy skin tones
  • →Lack of subtle color variations
  • →Ignoring the light and shadow patterns on the dress

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending.

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