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home·artworks·Ladies at Beach
Ladies at Beach by Ibrahim Calli

plate no. 2342

Ladies at Beach

Ibrahim Calli

oilImpressionismgenre paintingbeachfiguressandseaskybathing suits
some experience helpful

Recreating this painting will help students develop skills in figure painting, capturing light and shadow on skin tones, and creating a sense of atmosphere through loose brushwork. It also provides practice in simplifying complex scenes into essential shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and horizon line, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color: sand, sea, sky, and the figures' skin tones and clothing.

  3. step 03

    Refine the shapes of the figures, paying attention to the contours and folds of their clothing.

  4. step 04

    Add details to the faces and hair, using small brushstrokes to suggest features.

  5. step 05

    Develop the background by adding details to the sea, sky, and beach structures.

  6. step 06

    Create depth by layering colors and values, making the foreground more detailed and the background softer.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Review and adjust the painting, making sure the composition is balanced and the colors are harmonious.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ivory black

Mix various shades of beige and tan for the sand by combining white, yellow ochre, and burnt umber. Create the sea and sky by mixing ultramarine blue with white, adding touches of yellow ochre for warmth and viridian green for depth.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the subtle variations in skin tones.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ultramarine blue, yellow ochre, burnt umber, cadmium red, viridian green, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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