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home·artworks·La Rue St Denis
La Rue St Denis by Thomas Girtin

plate no. 2550

La Rue St Denis

Thomas Girtin, 1802

oilRomanticismcityscapecityscapebuildingsstreetfiguresarchcarts
experienced study

Recreating this painting will help students develop skills in perspective drawing, atmospheric perspective, and rendering fine details with ink or watercolor washes. It also provides practice in depicting complex urban scenes and figures in motion.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the perspective lines of the buildings and the arch.

  2. step 02

    Establish the horizon line and vanishing point(s).

  3. step 03

    Add details to the buildings, including windows, balconies, and architectural features.

  4. step 04

    Sketch in the figures, carts, and other elements in the street, paying attention to their relative sizes and positions.

  5. step 05

    Apply a light wash of diluted brown or gray watercolor to establish the base tones of the buildings and street.

  6. step 06

    Build up darker values in the shadows and architectural details using multiple layers of washes or ink.

  7. step 07

    Add details to the figures and carts using finer brushes or pens.

  8. step 08

    Use a very light blue wash for the sky, leaving some areas unpainted to suggest clouds.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre

Mix browns and grays by combining raw umber, burnt sienna, and ivory black in varying proportions. Dilute with water for lighter washes.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·watercolor washes
  • ·ink line work
  • ·layering

common pitfalls

  • →Inaccurate perspective can ruin the sense of depth and realism.
  • →Overworking the details can make the painting look cluttered and stiff.
  • →Using too much color can detract from the muted, atmospheric quality of the original.
  • →Failing to establish a clear value structure can make the painting look flat.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper (140lb or heavier)
  • ·Watercolor paints or inks (raw umber, burnt sienna, ivory black, ultramarine blue, yellow ochre)
  • ·Round brushes (sizes 0, 2, 4, 6)
  • ·HB pencil
  • ·Eraser
  • ·Ruler
  • ·Palette
  • ·Water container

optional

  • ·rigger brush
  • ·palette knife
  • ·masking fluid

Use archival quality materials to ensure the longevity of your artwork. Experiment with different types of paper and brushes to find what works best for you.

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oil painting for beginners →how to learn by studying the masters →
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