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home·artworks·La Reina Isabel I De Castilla
La Reina Isabel I De Castilla by Luis de Madrazo y Kuntz

plate no. 2270

La Reina Isabel I De Castilla

Luis de Madrazo y Kuntz, 1848

oilRomanticismportraitportraitfiguredresscrowntableinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background with a thin wash of dark browns and greens, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, starting with the dress and then moving on to the face and hands.

  4. step 04

    Begin to refine the details of the face, focusing on capturing the likeness of the subject.

  5. step 05

    Develop the drapery of the dress, paying attention to the way the fabric folds and drapes.

  6. step 06

    Add the details of the crown, jewelry, and other accessories.

  7. step 07

    Refine the details of the table and the book, paying attention to the textures and patterns.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · crimson red · ivory black · raw umber · titanium white

secondary · gold ochre · prussian blue · emerald green

Mix crimson red and ivory black to create the deep shadows in the dress. Use raw umber and titanium white to create the skin tones, and add a touch of crimson red for warmth. Mix gold ochre and raw umber for the gold details.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the likeness of the subject.
  • →Overworking the details and losing the overall sense of form.
  • →Not paying enough attention to the values and creating a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (crimson red, ivory black, raw umber, titanium white, gold ochre, prussian blue, emerald green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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