apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La Punition De Niobé
La Punition De Niobé by Tobias Verhaecht

plate no. 5890

La Punition De Niobé

Tobias Verhaecht

oil, canvasMannerism (Late Renaissance)mythological paintingfigureslandscapemythologyskycloudstrees
advanced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating atmospheric perspective. It also provides practice in rendering complex scenes with multiple elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, focusing on the placement of figures and landscape elements.

  2. step 02

    Establish the basic color palette by blocking in large areas of color, such as the sky, trees, and ground.

  3. step 03

    Begin refining the figures, paying attention to anatomy and drapery.

  4. step 04

    Develop the landscape, adding details to the trees, mountains, and buildings in the background.

  5. step 05

    Work on the sky and clouds, creating a sense of depth and atmosphere.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the details and textures throughout the painting.

  8. step 08

    Add final glazes to unify the colors and create a sense of depth.

color palette

primary · ochre · raw umber · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of brown and green by blending the primary colors. Use white to lighten colors and create highlights. Mix red and white for the figures' skin tones.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early.
  • →Incorrect proportions of figures.
  • →Overworking the painting.
  • →Inconsistent lighting.

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints (ochre, raw umber, titanium white, ultramarine blue, cadmium red, yellow ochre, ivory black)
  • ·Linseed oil
  • ·Turpentine
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti