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home·artworks·La Prière à la Madonne (Bandits en Prière)
La Prière à la Madonne (Bandits en Prière) by Nicolas Toussaint Charlet

plate no. 1414

La Prière à la Madonne (Bandits en Prière)

Nicolas Toussaint Charlet, 1834

watercolorRomanticismgenre paintingfiguresinteriorprayerweaponsbasketclothing
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes to create depth and form, as well as practicing rendering complex textures like fabric and metal.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and objects, paying attention to proportions and composition.

  2. step 02

    Apply a light wash of diluted raw sienna or yellow ochre over the entire paper to create a warm undertone.

  3. step 03

    Begin layering washes of color to define the background and establish the basic values.

  4. step 04

    Work on the figures, gradually building up the colors and details of their clothing and faces.

  5. step 05

    Add darker washes to create shadows and define the forms further.

  6. step 06

    Paint the details of the weapons, basket, and other objects in the foreground.

  7. step 07

    Use dry brush techniques to add texture to the clothing and background.

  8. step 08

    Add final highlights and details with a fine brush.

color palette

primary · raw sienna · burnt umber · Prussian blue

secondary · yellow ochre · ivory black · alizarin crimson

Mix raw sienna and burnt umber for the warm browns. Use Prussian blue and burnt umber to create the darker shadows and greens. Add alizarin crimson to browns for richer tones.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·glazing
  • ·lifting

common pitfalls

  • →Overworking the washes and losing the transparency of the watercolor.
  • →Creating muddy colors by mixing too many pigments together.
  • →Not allowing each layer to dry completely before applying the next.
  • →Losing the light by applying too many dark washes too early.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →how to learn by studying the masters →
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