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home·artworks·La Place du Carrousel, Paris: The Ruins of the Tuileries
La Place du Carrousel, Paris: The Ruins of the Tuileries by Giuseppe de Nittis

plate no. 3886

La Place du Carrousel, Paris: The Ruins of the Tuileries

Giuseppe de Nittis, 1882

oil, canvasImpressionismcityscapecityscapebuildingfiguresdogstreetarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the essence of a scene with loose, impressionistic brushstrokes. It also provides practice in rendering figures and details with minimal strokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building and figures.

  2. step 02

    Establish the overall color tone of the sky and ground with thin washes.

  3. step 03

    Block in the main shapes of the building, paying attention to perspective.

  4. step 04

    Add details to the building, using a smaller brush and varying the colors slightly.

  5. step 05

    Paint the figures in the foreground, using dark colors and loose brushstrokes.

  6. step 06

    Add the dog and other small details, such as the carriages and people in the background.

  7. step 07

    Refine the details and adjust the values to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · ivory black

Achieve the hazy atmosphere by mixing white with small amounts of umber and blue. Use burnt sienna and yellow ochre to create the warm tones of the buildings.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the atmospheric perspective, which can make the background appear too sharp.
  • →Using colors that are too saturated, which can clash with the overall tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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