apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La Piedad
La Piedad by Palma il Giovane

plate no. 1975

La Piedad

Palma il Giovane

oilMannerism (Late Renaissance)religious paintingfiguresreligious scenebodydraperyskycross
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomy, and creating dramatic lighting effects using chiaroscuro. It also provides practice in rendering complex drapery and emotional expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the figures, paying close attention to anatomy and proportions.

  4. step 04

    Develop the drapery, using light and shadow to create volume and form.

  5. step 05

    Work on the background elements, suggesting the landscape and sky.

  6. step 06

    Add details to the faces, capturing the emotional expressions of the figures.

  7. step 07

    Refine the highlights and shadows to enhance the dramatic effect.

  8. step 08

    Add final glazes to unify the colors and create depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve flesh tones by mixing burnt umber, raw sienna, and titanium white, adjusting with small amounts of cadmium red for warmth. Create the blue drapery by mixing ultramarine blue with ivory black and titanium white for highlights.

techniques

  • ·Chiaroscuro
  • ·Glazing
  • ·Scumbling
  • ·Figure drawing
  • ·Drapery rendering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Inaccurate color mixing leading to muddy tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti