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home·artworks·La Marne et les bateaux lavoirs à Lagny
La Marne et les bateaux lavoirs à Lagny by Léo Gausson

plate no. 2904

La Marne et les bateaux lavoirs à Lagny

Léo Gausson, 1885

oilImpressionismlandscaperiverbuildingsbridgetreesskyboats
some experience helpful

Recreating this painting will help students practice impressionistic brushwork and color mixing to capture the light and reflections on the water. It also provides an opportunity to learn about atmospheric perspective and simplifying complex scenes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, buildings, bridge, and trees.

  2. step 02

    Block in the sky with light blue and grey tones, using loose brushstrokes.

  3. step 03

    Establish the base color of the water with varying shades of blue, creating horizontal strokes to suggest movement.

  4. step 04

    Add the distant buildings and trees with simplified shapes and muted colors, paying attention to atmospheric perspective.

  5. step 05

    Paint the bridge with its reflections in the water, using warm tones for the bridge and cooler tones for the reflections.

  6. step 06

    Add details to the buildings, such as windows and roofs, using small brushstrokes.

  7. step 07

    Create the foreground vegetation with a mix of greens, browns, and purples, using broken brushstrokes.

  8. step 08

    Add highlights and reflections to the water to capture the shimmering effect of light.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · viridian green · alizarin crimson

Mix blues and whites for the sky and water. Use yellow ochre and burnt sienna for the bridge and buildings. Mix greens with blue and yellow for the trees and vegetation. Add small amounts of alizarin crimson to darken colors and create subtle variations.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Using too much pure color without mixing.
  • →Ignoring the effects of light and shadow on the water.
  • →Failing to simplify the complex shapes of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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