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home·artworks·La marée haute a Saint-Malô (High tide at St Malô)
La marée haute a Saint-Malô (High tide at St Malô) by Ethel Carrick

plate no. 6434

La marée haute a Saint-Malô (High tide at St Malô)

Ethel Carrick, 1912

oilImpressionismgenre paintingbeachfiguresbuildingsseaumbrellasflags
some experience helpful

This painting helps students practice simplifying complex scenes into basic shapes and using color temperature to create depth. It also provides practice in capturing figures in motion with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings, sea, and figures.

  2. step 02

    Block in the large areas of color: the sky, sea, buildings, and beach.

  3. step 03

    Establish the basic value structure, paying attention to the light and shadow on the buildings and figures.

  4. step 04

    Begin adding details to the buildings, such as the windows and architectural features.

  5. step 05

    Develop the figures, using simple shapes and colors to suggest their forms and clothing.

  6. step 06

    Add details to the beach, such as the umbrellas and flags.

  7. step 07

    Refine the colors and values, paying attention to the overall harmony of the painting.

  8. step 08

    Add final touches and highlights to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of blue and white for the sea and sky. Use burnt sienna and white for the buildings, adding touches of yellow ochre for warmth. Mix pinks and purples for figures.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in detail too early.
  • →Not simplifying the figures enough.
  • →Overworking the colors and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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