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home·artworks·La Jolla Arbor
La Jolla Arbor by Guy Rose

plate no. 5196

La Jolla Arbor

Guy Rose

oil, canvasImpressionismlandscapearboroceanfoliageflowerscolumnarchitecture
some experience helpful

This painting provides practice in rendering foliage with loose brushstrokes and creating depth through atmospheric perspective. Students will also learn to mix subtle color variations to capture the light and shadow on the architectural elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the arbor, column, and horizon line.

  2. step 02

    Block in the large areas of color: sky, ocean, foliage, and the shaded area under the arbor.

  3. step 03

    Begin adding details to the foliage, using short, broken brushstrokes to suggest individual leaves.

  4. step 04

    Develop the form of the column, paying attention to the subtle gradations of light and shadow.

  5. step 05

    Add the flowers, using small dabs of red paint to create pops of color.

  6. step 06

    Refine the details of the arbor structure and the hanging pot.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · viridian green · burnt umber · titanium white

secondary · cadmium red · yellow ochre

Mix greens by combining viridian green with yellow ochre or ultramarine blue. Create muted tones by adding small amounts of burnt umber to other colors. Achieve the atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the foliage and losing the loose, impressionistic feel.
  • →Creating too much contrast and flattening the image.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the subtle value changes on the column.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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