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home·artworks·La Favorite
La Favorite by Paul-Albert Besnard

plate no. 9386

La Favorite

Paul-Albert Besnard, 1892

oilImpressionismportraitfigureportraitveilflowersjewelrydress
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing soft lighting and rendering fabric folds. It also provides practice in creating depth through layering and color blending.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main folds of the veil.

  2. step 02

    Establish the background with loose, blended strokes of greens and browns for the foliage and hints of color for the flowers.

  3. step 03

    Block in the skin tones using a limited palette of warm and cool colors, paying attention to the light and shadow on the face and arms.

  4. step 04

    Apply the base color of the orange veil, creating the folds and drapery with varying tones of orange and yellow.

  5. step 05

    Add the details of the jewelry, using small, precise strokes of white and silver to create the sparkle.

  6. step 06

    Refine the facial features, focusing on capturing the likeness and expression of the subject.

  7. step 07

    Add the small decorative spots on the veil with light colors.

  8. step 08

    Adjust the overall color harmony and values to create a cohesive and atmospheric painting.

color palette

primary · orange · ivory black · titanium white · yellow ochre

secondary · sap green · burnt umber · cadmium red light

Mix various shades of orange by combining red, yellow, and white. Achieve skin tones by blending white, yellow ochre, and a touch of red. Use burnt umber and ivory black to create shadows and depth.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle color variations in the skin tones and fabric.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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