apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La Ciotat
La Ciotat by Johan Jongkind

plate no. 8127

La Ciotat

Johan Jongkind, 1880

watercolor, gouache, pencilImpressionismlandscapeseascapeboatsbeachfiguresbuildingssky
some experience helpful

Recreating this painting will help students develop skills in watercolor washes, creating atmospheric perspective, and capturing the essence of a scene with loose brushwork. It also encourages simplification of details and focusing on overall tonal relationships.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: horizon line, landmasses, buildings, and boats.

  2. step 02

    Apply a light wash of diluted yellow ochre and blue for the sky, allowing colors to blend.

  3. step 03

    Establish the basic tones of the sea with varying shades of blue and grey.

  4. step 04

    Paint the distant landmass and buildings with muted colors, focusing on their shapes rather than details.

  5. step 05

    Add darker values to the foreground beach and boats, creating depth and contrast.

  6. step 06

    Use dry brush techniques to suggest texture in the sand and waves.

  7. step 07

    Add figures and other small details with a fine brush, keeping them simple and suggestive.

  8. step 08

    Refine the overall composition and adjust values as needed to create a sense of atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · titanium white · payne's gray

Mix blues and yellows for the sky and sea, adding white to lighten the tones. Use burnt sienna and ochre for the land, and payne's gray for shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush
  • ·watercolor washes
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Making the distant objects too detailed and sharp.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·gouache

Use high-quality watercolor paper to prevent buckling and allow for better blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann