apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La ceiba de Ponce
La ceiba de Ponce by Francisco Oller

plate no. 1860

La ceiba de Ponce

Francisco Oller, 1888

oilImpressionismlandscapetreeswaterbuildingskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in capturing the texture of foliage with varied brushstrokes. It also provides practice in depicting reflections in water and suggesting movement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements: the river, the buildings, and the trees.

  2. step 02

    Block in the sky with light blue, adding white for the clouds.

  3. step 03

    Establish the base colors for the trees, using a mix of greens and browns.

  4. step 04

    Paint the water with varying shades of green and blue, capturing the reflections of the sky and trees.

  5. step 05

    Add details to the buildings, using a light pink for the main house and darker tones for the other structure.

  6. step 06

    Develop the foliage by layering different shades of green and using short, broken brushstrokes.

  7. step 07

    Add the figures and other small details to bring the scene to life.

  8. step 08

    Refine the painting, adjusting colors and values as needed to create a sense of depth and atmosphere.

color palette

primary · sap green · cerulean blue · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix greens by combining blues and yellows, adding white for lighter shades and umber for darker tones. Achieve the pink of the house by mixing white with a touch of red.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to capture the subtle color variations in the water and foliage.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann