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home·artworks·La Capilla De San Isidro En La Iglesia De San Andrés De Madrid
La Capilla De San Isidro En La Iglesia De San Andrés De Madrid by Jenaro Pérez Villaamil

plate no. 4952

La Capilla De San Isidro En La Iglesia De San Andrés De Madrid

Jenaro Pérez Villaamil, 1843

oilRomanticisminteriorinteriorchurcharchitecturearchesfigurealtar
some experience helpful

Recreating this painting will help students develop skills in capturing the atmosphere of an interior space and understanding the use of light and shadow to create depth. It will also provide practice in rendering architectural details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and composition.

  2. step 02

    Block in the large shapes of the architecture and furniture with thin washes of color.

  3. step 03

    Establish the main light source and begin to build up the values, focusing on the areas of light and shadow.

  4. step 04

    Add details to the architectural elements, using thicker paint and more defined brushstrokes.

  5. step 05

    Introduce the figure, paying attention to its scale and placement within the scene.

  6. step 06

    Refine the colors and values, adjusting the overall balance of the painting.

  7. step 07

    Add final highlights and details to create a sense of depth and realism.

  8. step 08

    Glaze with thin washes to unify the color palette and enhance the atmosphere.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of blue. Use burnt sienna and raw umber for the warm shadows and architectural details.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushwork.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to help establish the overall color palette.

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oil painting for beginners →how to learn by studying the masters →
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