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home·artworks·La Biarrote
La Biarrote by Paul-Albert Besnard

plate no. 3960

La Biarrote

Paul-Albert Besnard, 1901

etchingImpressionismportraitportraitfigurewomanclothingfacehand
some experience helpful

Recreating this painting will help students develop skills in value shading and creating form with cross-hatching. It also provides practice in capturing a likeness and conveying mood through limited tonal range.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the darkest areas of the composition with a dark wash or hatching.

  3. step 03

    Begin building up the mid-tones using layers of hatching and cross-hatching.

  4. step 04

    Focus on the face, adding details to the eyes, nose, and mouth to capture the likeness.

  5. step 05

    Develop the texture of the clothing and hair using varied hatching techniques.

  6. step 06

    Refine the background, adding subtle details to create depth and atmosphere.

  7. step 07

    Add highlights to the face and clothing to create contrast and dimension.

  8. step 08

    Make final adjustments to the values and details to complete the painting.

color palette

primary · ivory black · raw umber

secondary · titanium white · sepia

Mix ivory black and raw umber to create a range of dark tones. Add small amounts of titanium white to create lighter values. Use sepia for subtle warm shadows.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·value shading
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall tonal harmony.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of negative space.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·sepia oil paint
  • ·medium gloss
  • ·charcoal pencils

Use a smooth canvas for best results. Consider using a toned canvas to establish a mid-tone base.

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related guides

color theory for painters →how to learn by studying the masters →
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