apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·La Belle Jardiniere – May
La Belle Jardiniere – May by Eugène Grasset

plate no. 2890

La Belle Jardiniere – May

Eugène Grasset, 1896

oilArt Nouveau (Modern)illustrationfiguregardenflowersirisestreesdress
some experience helpful

Recreating this painting will help students develop skills in figure drawing, color mixing for natural scenes, and creating a sense of depth through layering and atmospheric perspective. It provides practice in capturing the essence of Art Nouveau style.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, chair, flower bed, and background elements.

  2. step 02

    Establish the basic color blocks for the sky, foliage, and figure's dress.

  3. step 03

    Begin layering the colors for the irises, focusing on capturing their unique shape and color variations.

  4. step 04

    Add details to the figure, including the face, hair, and the folds of the dress.

  5. step 05

    Refine the background elements, adding details to the trees and foliage.

  6. step 06

    Work on the chair and basket, paying attention to the texture and form.

  7. step 07

    Add final highlights and shadows to enhance the depth and dimension.

  8. step 08

    Outline key elements with a fine brush to mimic the Art Nouveau style.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Sap green · Cadmium red light · Payne's gray

Mix greens by combining yellow ochre and Prussian blue. Achieve the skin tones by mixing titanium white, cadmium red light, and a touch of yellow ochre. Use Payne's gray to create shadows and deepen the blues.

techniques

  • ·Layering
  • ·Blending
  • ·Color mixing
  • ·Outlining
  • ·Glazing

common pitfalls

  • →Overworking the details too early
  • →Not establishing a clear value structure
  • →Using colors straight from the tube without mixing
  • →Ignoring the subtle color variations in the foliage

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)

optional

  • ·Medium for blending
  • ·Retarder
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois