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home·artworks·La Belle Jardiniere – January
La Belle Jardiniere – January by Eugène Grasset

plate no. 6025

La Belle Jardiniere – January

Eugène Grasset, 1896

oilArt Nouveau (Modern)illustrationfiguregardenwintertreesfountainlandscape
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering techniques to create depth and detail in the foliage and figure.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, fountain, and trees.

  2. step 02

    Block in the main color areas: the sky, ground, figure's clothing, and foliage.

  3. step 03

    Refine the colors and values in each area, paying attention to the subtle shifts in tone.

  4. step 04

    Add details to the figure, including facial features and clothing patterns.

  5. step 05

    Develop the foliage and trees, using layering to create depth and texture.

  6. step 06

    Paint the fountain and add details like icicles.

  7. step 07

    Add the lettering at the top and bottom.

  8. step 08

    Refine all areas and add final details.

color palette

primary · ochre · burnt sienna · Prussian blue · ivory black

secondary · sap green · raw umber · titanium white

Mix ochre and burnt sienna for the figure's clothing and the ground. Use Prussian blue and ivory black to create the dark greens and blues of the foliage and sky. Add white to lighten colors and create highlights.

techniques

  • ·color layering
  • ·dry brushing
  • ·blending
  • ·linear detail
  • ·muted color mixing

common pitfalls

  • →Overworking the colors and losing the subtle tonal variations.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the proportions of the figure.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (ochre, burnt sienna, Prussian blue, ivory black, sap green, raw umber, titanium white)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·Easel
  • ·Rags
  • ·Apron

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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