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home·artworks·Krzyż w śniegu
Krzyż w śniegu by Ferdynand Ruszczyc

plate no. 5791

Krzyż w śniegu

Ferdynand Ruszczyc, 1902

oilImpressionismlandscapesnowtreeswinterlandscapelight postcross

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the light post and the overall structure of the trees.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering the snow-covered branches, using a variety of blues, purples, and whites.

  4. step 04

    Add warmer tones to the areas where the light hits the snow, creating a sense of depth and dimension.

  5. step 05

    Define the details of the light post, paying attention to its form and texture.

  6. step 06

    Refine the overall composition, adding highlights and shadows to create a sense of realism.

  7. step 07

    Add final details, such as the texture of the snow and the branches.

  8. step 08

    Glaze with thin layers to unify the painting.

color palette

primary · Prussian blue · Titanium white · Yellow ochre

secondary · Burnt umber · Ultramarine blue · Cadmium yellow

Mix blues and whites for cool shadows on the snow. Use yellow ochre and white for the warm highlights. Add burnt umber to darken shadows.

techniques

  • ·Impasto
  • ·Dry brushing
  • ·Layering
  • ·Color temperature
  • ·Scumbling

common pitfalls

  • →Overworking the details
  • →Making the snow too flat and uniform
  • →Ignoring the subtle color variations in the shadows
  • →Losing the overall sense of light and atmosphere

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Medium gloss
  • ·Easel
  • ·Reference photo

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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