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home·artworks·Kirkstall Abbey, Yorkshire
Kirkstall Abbey, Yorkshire by Thomas Girtin

plate no. 2722

Kirkstall Abbey, Yorkshire

Thomas Girtin, 1801

oilRomanticismlandscapelandscapeabbeyrivercloudsfigureshills
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering architectural details in a loose, painterly style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the abbey and river.

  2. step 02

    Establish the sky with broad washes of blue and gray, creating soft cloud formations.

  3. step 03

    Block in the distant hills with muted browns and greens, using lighter values for areas further away.

  4. step 04

    Paint the river using a mix of blues, greens, and grays, reflecting the sky and surrounding landscape.

  5. step 05

    Add the abbey, focusing on its overall shape and basic architectural details, using light and shadow to create form.

  6. step 06

    Paint the foreground fields with varying shades of brown and green, adding texture with dry brush techniques.

  7. step 07

    Add the figures in the foreground, keeping them simple and suggestive.

  8. step 08

    Refine details and adjust values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · titanium white · burnt sienna · payne's gray

Mix blues and grays with white for the sky. Use raw umber and yellow ochre for the fields, adding burnt sienna for warmer tones. Create depth by lightening colors with white for distant elements.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·color mixing
  • ·layering
  • ·wash technique

common pitfalls

  • →Overworking the details of the abbey, losing the loose, painterly feel.
  • →Creating too much contrast, flattening the sense of depth.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting the subtle value changes in the sky and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brush (size 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or paint thinner

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to achieve color harmony. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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