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home·artworks·King Sigismund III of Poland-Lithuania and Sweden
King Sigismund III of Poland-Lithuania and Sweden by Martin Kober

plate no. 0027

King Sigismund III of Poland-Lithuania and Sweden

Martin Kober, 1590

oilMannerism (Late Renaissance)portraitportraitfigureclothingfurhatlace
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering textures like fur and lace. Students will also learn about value relationships and creating depth through subtle tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone, leaving space for the red drapery.

  3. step 03

    Block in the main areas of color: the skin tones, the black clothing, the fur, and the red drapery.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the details of the clothing, including the intricate patterns on the black fabric and the delicate lace collar.

  6. step 06

    Render the fur, using short, broken brushstrokes to create texture and volume.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · raw umber · burnt sienna · gold

Mix skin tones using white, yellow ochre, and a touch of red. Achieve the black clothing by mixing ivory black with a touch of raw umber. Create the fur by layering white, raw umber, and burnt sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fur
  • ·rendering lace

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create sufficient contrast between light and shadow.
  • →Getting lost in the details of the lace and fur without establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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