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home·artworks·King Pelayo at the Battle of Covadonga
King Pelayo at the Battle of Covadonga by Luis de Madrazo y Kuntz

plate no. 2484

King Pelayo at the Battle of Covadonga

Luis de Madrazo y Kuntz

oilRomanticismhistory paintingfiguresbattlehistoricallandscapecrosscrowd
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating depth through atmospheric perspective. It also provides practice in rendering fabrics and metallic surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the overall arrangement of the crowd.

  2. step 02

    Establish the background landscape and architectural elements with broad, muted tones.

  3. step 03

    Block in the main figures with simplified shapes and values, paying attention to proportions and gesture.

  4. step 04

    Develop the light and shadow patterns on the figures, creating a sense of volume and form.

  5. step 05

    Refine the details of the faces, clothing, and weapons, adding texture and interest.

  6. step 06

    Introduce the secondary figures and background elements, softening the edges to create depth.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and dramatic effect.

  8. step 08

    Add final highlights and details to enhance the realism and visual impact of the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · viridian

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, adjusting the proportions for different complexions. Create the greens by mixing ultramarine blue and yellow ochre, adding white for lighter shades.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Getting lost in the complexity of the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for optimal texture. Consider using a toned ground to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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