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home·artworks·King of Scots and Andrea Browne
King of Scots and Andrea Browne by Byam Shaw

plate no. 3851

King of Scots and Andrea Browne

Byam Shaw

oilRomanticismhistory paintingfiguresinteriorarchitecturecurtainslandscapewindow
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering drapery and facial expressions, and in creating a sense of depth through atmospheric perspective and value contrast.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the figures, starting with the faces and hands, and gradually adding details to the clothing and drapery.

  4. step 04

    Work on the background elements, such as the window view and the patterned wall, using softer brushstrokes and muted colors.

  5. step 05

    Develop the textures of the fabrics and other surfaces by layering different brushstrokes and colors.

  6. step 06

    Pay attention to the light and shadow patterns, and adjust the values accordingly to create a sense of depth and volume.

  7. step 07

    Add final details, such as highlights and small accents of color, to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to ensure a harmonious and balanced image.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue

Achieve the various browns and earth tones by mixing burnt umber with yellow ochre and small amounts of red or blue. Use white to lighten the colors and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color palette.

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