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home·artworks·King László V and Ulrik Cillei
King László V and Ulrik Cillei by Bertalan Szekely

plate no. 8245

King László V and Ulrik Cillei

Bertalan Szekely, 1870

oilRomanticismhistory paintingfiguresinteriorhistoricalarchitecturebeddancing
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with multiple figures and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of color, focusing on the dominant reds and browns.

  3. step 03

    Establish the light source and begin to define the shadows and highlights.

  4. step 04

    Develop the figures, starting with the larger forms and gradually adding details.

  5. step 05

    Work on the background elements, paying attention to the architectural details and the figures in the distance.

  6. step 06

    Refine the details of the clothing, faces, and other important elements.

  7. step 07

    Add final touches and glazes to enhance the colors and create a sense of depth.

  8. step 08

    Varnish the painting to protect it and bring out the colors.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of cadmium red and ivory black. Use ultramarine blue to cool down the reds and create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the colors and losing the subtle variations.
  • →Failing to create a convincing sense of depth.
  • →Inaccurate figure proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for layering and blending. Consider using a toned ground to simplify the initial stages of painting.

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oil painting for beginners →how to learn by studying the masters →
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