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home·artworks·Kinderbild Hans Joachim Zimper
Kinderbild Hans Joachim Zimper by Christian Schad

plate no. 0579

Kinderbild Hans Joachim Zimper

Christian Schad

oilMagic Realismportraitportraitboyclothinghairfaceshirt
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value transitions to create realistic skin tones and hair. It also provides practice in rendering fabric and details like buttons and buckles.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the boy's head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, paying attention to light and shadow.

  3. step 03

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the hair, focusing on the direction of the strands and the subtle variations in color.

  5. step 05

    Render the clothing, paying attention to the folds and wrinkles in the fabric.

  6. step 06

    Add details such as the buttons, buckles, and facial features.

  7. step 07

    Refine the edges and details, ensuring a smooth transition between values.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · ivory black · cadmium red light · ultramarine blue

Mix skin tones by blending white, umber, sienna, and a touch of red. Use blue and black sparingly to create cool shadows. Achieve the shirt color by mixing white with a touch of yellow ochre and umber.

techniques

  • ·portrait sketching
  • ·value mapping
  • ·glazing
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions leading to an unrealistic likeness.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Ignoring subtle value changes in skin tones.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial value mapping.

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oil painting for beginners →how to learn by studying the masters →
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