
plate no. 2772
Thomas Girtin, 1797
Recreating this painting will help students develop skills in architectural sketching and watercolor washes. It also provides practice in creating a sense of depth and atmosphere with limited color.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the church and surrounding landscape, paying attention to perspective.
Apply a light wash of diluted yellow ochre and raw sienna to the sky and distant land.
Mix a slightly darker wash of burnt umber and raw sienna for the roof and stone walls.
Use a fine brush to add details to the windows, doors, and architectural features with a darker brown mixture.
Create the foliage with short, broken strokes of green and brown washes.
Add shadows to the building and landscape using a slightly darker and cooler brown mix.
Reinforce the outlines of the building with a fine pen or a very thin brush and dark brown ink/paint.
Add final details and highlights with white or very light washes.
color palette
primary · raw sienna · burnt umber · yellow ochre
secondary · sap green · payne's gray
Mix raw sienna and burnt umber for the primary building color. Add yellow ochre for highlights and sap green for the foliage. Use Payne's gray sparingly for shadows and details.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.
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