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home·artworks·Kavallali Mehmet Ali Pasha el-Kebir
Kavallali Mehmet Ali Pasha el-Kebir by David Wilkie

plate no. 0444

Kavallali Mehmet Ali Pasha el-Kebir

David Wilkie, 1841

oilRomanticismportraitportraitfigurechairclothingswordflowers
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic textures. It also provides practice in creating depth and atmosphere through subtle value and color shifts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, chair, and main compositional elements.

  2. step 02

    Establish the background with broad, blended strokes, focusing on the overall value and color temperature.

  3. step 03

    Block in the main shapes of the figure's clothing, paying attention to the folds and drapery.

  4. step 04

    Start building up the facial features, focusing on accurate proportions and capturing the likeness.

  5. step 05

    Add details to the clothing, such as the trim, buttons, and fabric texture.

  6. step 06

    Paint the sword and other accessories, paying attention to the highlights and shadows.

  7. step 07

    Refine the background and foreground, adding subtle details and adjusting values as needed.

  8. step 08

    Add final details and highlights to the figure, focusing on the eyes, beard, and other key features.

color palette

primary · ivory black · cadmium red · yellow ochre · raw umber

secondary · titanium white · burnt sienna · ultramarine blue

Mix blacks and browns with ultramarine blue and burnt umber to create richer dark tones. Use yellow ochre and white to create highlights on the face and clothing. Mix cadmium red and white for the red hat and shoes.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portrait sketching

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, cadmium red, yellow ochre, raw umber, titanium white, burnt sienna, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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