apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·June Sunlight
June Sunlight by Joseph DeCamp

plate no. 5677

June Sunlight

Joseph DeCamp, 1902

oil, canvasImpressionismportraitfigureslandscapewatertreesclothingportrait
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color, and in rendering figures within a landscape setting. It also provides practice in creating subtle color variations to suggest form and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, focusing on proportions and placement.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color, such as the water, sky, and figures' clothing.

  3. step 03

    Begin to refine the forms of the figures, paying attention to the way light falls on their faces and clothing.

  4. step 04

    Add details to the landscape, such as the trees and foliage, using broken color to create a sense of depth and atmosphere.

  5. step 05

    Develop the textures of the clothing and other surfaces using a variety of brushstrokes.

  6. step 06

    Refine the highlights and shadows to create a sense of volume and form.

  7. step 07

    Add final details, such as the facial features and the patterns on the clothing.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · titanium white · yellow ochre · ultramarine blue · raw umber

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the subtle variations in the white clothing by mixing small amounts of blue, yellow ochre, and raw umber with white. Use glazes of alizarin crimson and cadmium yellow to create the warm skin tones.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Neglecting the importance of the background in creating a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paint and improve its flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann