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home·artworks·Juliet on the Balcony
Juliet on the Balcony by Thomas Francis Dicksee

plate no. 9689

Juliet on the Balcony

Thomas Francis Dicksee, 1875

canvas, oilRomanticismportraitfigurebalconyarchitecturedressfoliageportrait
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and drapery, and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and architectural elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the light source.

  3. step 03

    Block in the main shapes of the figure, focusing on accurate proportions and pose.

  4. step 04

    Begin layering in details of the dress, using subtle variations in tone to create folds and texture.

  5. step 05

    Refine the facial features, paying close attention to the light and shadow on the face.

  6. step 06

    Add details to the balcony and foliage, using smaller brushes to create texture and detail.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · cadmium yellow light · viridian

Mix various shades of white with small amounts of yellow ochre, raw umber, and ivory black to create the subtle tones of the dress and skin. Use alizarin crimson and white for the pink drapery.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figure
  • →Overworking the details too early
  • →Failing to create a sense of depth
  • →Using too much paint and losing the subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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