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home·artworks·Julia Stroganova
Julia Stroganova by Charles de Steuben

plate no. 2365

Julia Stroganova

Charles de Steuben, 1848

oilRomanticismportraitportraitfiguredresschairtablejewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering delicate fabrics. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, chair, table, and background.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the dress and skin.

  3. step 03

    Mix skin tones using a limited palette and gradually build up the form of the face and hands, paying attention to highlights and shadows.

  4. step 04

    Work on the dress, focusing on capturing the delicate folds and transparency of the fabric with thin layers of paint.

  5. step 05

    Paint the chair and table, adding details like the gold trim and the objects on the table.

  6. step 06

    Refine the details of the face, hair, and jewelry, adding highlights and shadows to create a sense of realism.

  7. step 07

    Add the lace details of the veil and dress.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The dress is primarily white with subtle variations of gray and cream. The background is a mix of black and umber, with subtle variations in tone.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong
  • →Overworking the skin tones
  • →Making the dress too flat and lifeless
  • →Ignoring the subtle value changes in the background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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