
plate no. 5307
Mary Cassatt, 1901
Recreating this painting will help students develop skills in portraiture, particularly capturing skin tones and subtle variations in light and shadow. It also provides practice in creating soft, impressionistic brushstrokes and blending techniques.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figures onto the canvas.
Establish the background color with a thin wash of muted tones.
Block in the main areas of color for the skin, clothing, and hair, focusing on the overall values.
Begin layering and blending colors to create the subtle variations in skin tone, paying attention to highlights and shadows.
Add details to the faces, such as the eyes, nose, and mouth, using small, precise brushstrokes.
Develop the clothing and background further, using looser brushstrokes to create texture and interest.
Refine the edges and details, ensuring that the overall composition is balanced and harmonious.
Add final highlights and shadows to enhance the sense of depth and dimension.
color palette
primary · titanium white · yellow ochre · burnt sienna · raw umber
secondary · ultramarine blue · alizarin crimson · cadmium yellow
Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and burnt umber for the darker areas and shadows. Add alizarin crimson for warmth in the cheeks and lips.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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