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home·artworks·Jules Standing by His Mother
Jules Standing by His Mother by Mary Cassatt

plate no. 5307

Jules Standing by His Mother

Mary Cassatt, 1901

oil, canvasImpressionismgenre paintingfiguresportraitmotherchilddomestic scene
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing skin tones and subtle variations in light and shadow. It also provides practice in creating soft, impressionistic brushstrokes and blending techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures onto the canvas.

  2. step 02

    Establish the background color with a thin wash of muted tones.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hair, focusing on the overall values.

  4. step 04

    Begin layering and blending colors to create the subtle variations in skin tone, paying attention to highlights and shadows.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Develop the clothing and background further, using looser brushstrokes to create texture and interest.

  7. step 07

    Refine the edges and details, ensuring that the overall composition is balanced and harmonious.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and dimension.

color palette

primary · titanium white · yellow ochre · burnt sienna · raw umber

secondary · ultramarine blue · alizarin crimson · cadmium yellow

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and burnt umber for the darker areas and shadows. Add alizarin crimson for warmth in the cheeks and lips.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Focusing too much on detail too early in the process.
  • →Ignoring the subtle variations in skin tone.
  • →Creating harsh edges instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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