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home·artworks·Juggler
Juggler by Antonio Donghi

plate no. 2100

Juggler

Antonio Donghi, 1926

oilMagic Realismgenre paintingfigureclownballsinteriorwindowtrees
some experience helpful

Recreating this painting will help students develop skills in figure painting, color mixing for realistic skin tones, and creating a sense of depth through subtle value changes. The harlequin pattern offers practice in geometric shapes and color relationships.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the proportions and placement of the figure and objects.

  2. step 02

    Block in the main areas of color: the background, the figure's skin, and the harlequin costume.

  3. step 03

    Begin refining the skin tones, using layers of thin paint to build up subtle variations in color and value.

  4. step 04

    Carefully paint the harlequin pattern, paying attention to the color relationships and the way the pattern wraps around the figure's form.

  5. step 05

    Add details to the face, hands, and shoes, using smaller brushes for precision.

  6. step 06

    Paint the background and the window scene, focusing on creating a sense of depth and atmosphere.

  7. step 07

    Refine the shadows and highlights throughout the painting, adding depth and dimension.

  8. step 08

    Add final details and adjustments as needed to achieve a cohesive and realistic image.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · cadmium red · ultramarine blue · raw umber

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of red. The harlequin pattern uses bright yellows and reds desaturated with black and umber.

techniques

  • ·glazing
  • ·color mixing
  • ·geometric pattern rendering
  • ·portraiture
  • ·value studies

common pitfalls

  • →Incorrect proportions of the figure
  • →Inaccurate color mixing leading to unnatural skin tones
  • →Flat or lifeless rendering of the harlequin pattern
  • →Ignoring subtle value changes in the background
  • →Overworking details too early in the process

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

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oil painting for beginners →how to learn by studying the masters →
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