apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Judith
Judith by Luc-Olivier Merson

plate no. 1858

Judith

Luc-Olivier Merson, 1899

oilRomanticismreligious paintingfigureportraitswordtreesfoliagehead
experienced study

Recreating this painting would help students develop skills in rendering realistic figures, drapery, and creating atmospheric perspective. It also provides practice in depicting complex textures and details with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Establish the background with light washes of color, focusing on the trees and foliage.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomy.

  4. step 04

    Begin adding details to the face, hair, and clothing, using subtle shading and highlights.

  5. step 05

    Render the head on the platter, focusing on accurate depiction of form and texture.

  6. step 06

    Add details to the sword and other accessories, paying attention to their metallic sheen.

  7. step 07

    Refine the overall composition, adjusting values and adding final details.

  8. step 08

    Add the blood on the platter.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium red light · ultramarine blue

Achieve the muted tones by mixing ivory black, raw umber, and titanium white in varying proportions. Use small amounts of cadmium red and ultramarine to create subtle color variations.

techniques

  • ·hatching
  • ·cross-hatching
  • ·scumbling
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of accurate proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke