apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Judith and Her Maidservant with the Head of Holofernes
Judith and Her Maidservant with the Head of Holofernes by Orazio Gentileschi

plate no. 5961

Judith and Her Maidservant with the Head of Holofernes

Orazio Gentileschi, 1624

oilMannerism (Late Renaissance)religious paintingfiguresheadswordclothingdark backgroundreligious scene
experienced study

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating dramatic lighting effects. It also provides practice in depicting complex poses and emotional expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the head.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and clothing with simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the faces.

  5. step 05

    Develop the details of the clothing, including the folds, textures, and patterns.

  6. step 06

    Add highlights and shadows to create depth and volume in the figures and objects.

  7. step 07

    Refine the details of the sword and the head, paying attention to the texture and form.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · red · blue · yellow ochre · ivory black

secondary · gold · white · brown

Achieve the rich reds by mixing a crimson with a touch of yellow ochre. The blues are muted with black and white. The skin tones are a blend of white, yellow ochre, and a touch of red.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·fabric rendering
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Not capturing the emotional expressions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, yellow ochre, ivory black, white, brown)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti