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home·artworks·Joseph Amerling (1818–1885), the artist's brother
Joseph Amerling (1818–1885), the artist's brother by Friedrich von Amerling

plate no. 9518

Joseph Amerling (1818–1885), the artist's brother

Friedrich von Amerling, 1829

oil, canvasRomanticismportraitportraitfigureboyclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering soft light and shadow. It also provides practice in capturing likeness and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing, paying attention to the angle of the head.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up darker tones.

  3. step 03

    Block in the main areas of color: skin, hair, clothing. Use thin layers of paint.

  4. step 04

    Begin refining the skin tones, mixing subtle variations of pink, yellow, and brown. Focus on the light and shadow areas.

  5. step 05

    Work on the hair, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Define the features of the face: eyes, nose, mouth. Pay close attention to the highlights and shadows.

  7. step 07

    Refine the clothing, adding details such as the collar and buttons.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, cadmium red light, and a touch of burnt umber. Hair color is created with variations of yellow ochre, burnt umber, and ivory black. The background is primarily burnt umber and ivory black.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the face.
  • →Muddy skin tones due to over-mixing.
  • →Flat, lifeless hair.
  • →Lack of attention to light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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