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Jonathan Simpson by Richard Jack

plate no. 1177

Jonathan Simpson

Richard Jack

oilImpressionismportraitportraitfiguremanclothingchairbackground
experienced study

Recreating this portrait will help students develop skills in layering paint to create subtle value changes and capturing realistic skin tones. It also provides practice in rendering fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: skin, clothing, background, and chair.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures.

  6. step 06

    Refine the background and chair, adding subtle variations in color and value.

  7. step 07

    Add final details, such as the eyes, hair, and hands.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix skin tones using white, yellow ochre, cadmium red, and a touch of raw umber. Darken colors with burnt umber and black. Use ultramarine blue to cool down shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·value studies

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much black, which can make the colors look muddy.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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